On February 5, 2023, singer and songwriter Sam Smith decided to take the mask off the entertainment industry by dressing up as Satan and performing alongside dancers wielding BDSM gear as props with red lights and flames to match. The performance quickly drew ire from individuals who derided it as “Satanic” and reminiscent of the “End of Days.” Others took note of the song’s praise of Balenciaga, the now notorious fashion brand which drew fire for an ad campaign featuring children holding teddy bears dressed in sexualized clothing and bondage gear. While Smith may have breached a boundary by outing the entity which many in entertainment truly serve — while degrading already abysmal standards of entertainment in the process — the unfortunate truth is that the entertainment industry has been undermining social integrity in America almost since its inception.
Such was the subversive nature of modern entertainment that one of the first actions taken by concerned entertainment insiders and members of the public was to attempt the setting of internal and external guidelines for the industry. Driven by a number of high profile scandals, the Motion Picture Code was put into effect in 1930 in order to more effectively regulate the content of motion pictures. The code, drafted by Jesuit Fr. Daniel Lord and Catholic layman Martin Quigley, contained a general set of guidelines prohibiting depictions of explicit sexuality and social deviance, while encouraging the depiction of correct morals and respect for law and order. In addition to the enforcement of the code, the National Legion of Decency — a Catholic organization dedicated to identifying and protesting morally questionable pictures — encouraged moviegoers to avoid pictures which it deemed inappropriate. While neither the Motion Picture Code nor the Legion of Decency were entirely perfect in their assessment of motion picture morality, they provided a critical moral bulwark in the realm of popular entertainment.
With the disappearance of the National Legion of Decency and the elimination of the Motion Picture Code, film and television have been left to push the boundaries of moral decency with near-impunity. Restrictions of on-screen intimacy and immoral conduct have given way to nudity and sex scenes that are borderline pornographic in nature. Furthermore, criminal conduct is glamorized, and serial killers like Ted Bundy and Jeffrey Dahmer have become icons of recent true crime films and television series.
Meanwhile, the music industry has undergone an equal level of moral and compositional degradation. A 2008 study conducted by Heriot-Watt University found that popular music has become less melodically complex over time, which has translated into diminished creativity by listeners. Meanwhile, pop lyrics have become as ribald as they are stale, with Cardi B’s “WAP” and Miley Cyrus’ “We Can’t Stop” graphically encouraging promiscuity and other base behaviors. Sixty years ago, Elvis Presley drew a storm of controversy for his allegedly provocative onstage hip swiveling and footwork. At present, Megan Thee Stallion performed in a skin-tight bodysuit and put on an extended twerking display on national television without so much as an eyebrow raised in the public sphere.
The degradation of social mores onscreen and on the air is proving to have very real consequences for American society. Perhaps the best known example of the impact of entertainment on American moral perceptions is the “Will and Grace Effect.” The eponymous show was one of the first to portray homosexuals in a prominent role, an intentional choice by its writers who were seeking to normalize homosexuality among the American public. The show was massively successful in this regard, with American support for gay marriage dramatically increasing during the show’s runtime, with then-Vice President Joe Biden stating that he was one of the show’s many pro-gay converts.
It may be tempting for individuals on the right to dismiss the corruption and social rot in the entertainment industry as par for the course, or merely a matter of parental control over screens. Yet, the ubiquity of both debased shows and music renders such a dismissal hollow. Unless the entertainment industry undergoes a true transformation, exposure to morally degrading content is an inevitability, and social and moral deviancy will continue to become normalized. Of course, a return to the Motion Picture Code is near impossible, as the entrenchment of cultural degradation has been so profound in Hollywood that a re-adoption of the code would almost certainly never come to fruition. The solution, therefore, must come from the consumer. Conservatives should endeavor to view more media propagated by like-minded actors, musicians, and companies, while simultaneously reducing their consumption of media from groups that oppose their moral interests. In lieu of an overarching Legion of Decency, Catholics and conservatives can work together on a smaller scale with individuals from their communities to coordinate their efforts toward changing entertainment. By taking these initial steps, conservatives can begin the process of reforming the entertainment industry.